Plymouth Theatre Review

Easy to Follow: 3

Family Friendly: 3

Must see: 3

Title: ‘Conflict of Interest’

Venue: Barbican Theatre

Date: 24th July 2024

In a compelling double-bill, the audience at The Barbican Theatre experienced two thought-provoking performances from Masters students of experimental theatre practice of Marjon University.

Following the introspective ‘Ten Months and a Day‘ was ‘Conflict of Interest,’ devised and performed by Megan Crago, Kayley Docherty, Rowan Mobsby-Frost, and Caitlin Traynor. This is described as an “interdisciplinary work exploring conflicts in nature, in ourselves, between each other, in time and memory.”

Ranging from the personal to the existential, this performance was dynamic, weaving together a series of loosely connected pieces under the overarching theme of conflict and utilising movement and dance, songs and some dialogue.

The opening monologue sets a contemplative tone, reflecting on the passage of time, leaving education and the uncertainty of an emerging adult identity: “I’m 22 and I have no idea what I’m doing.” This sentiment resonates throughout the performance, which touches on themes of growing up, ending relationships, death, climate crisis and even the supernatural.

Highlights included “Only You,” a humorous dance routine depicting anxiety about body shape, self-acceptance and societal pressures, and “Yellow Brick Road,” a poignant piece about the end of life. These segments were both entertaining and thought-provoking, offering a blend of humor and seriousness.

Another standout moment was the solo vocal performance of Alli Mauzey’s “Screw Loose”, which transitioned into a powerful message about climate change.

The use of lighting became particularly effective about two-thirds into the show during a scene focused on the theme of reality versus simulation. This brief but impactful use of lighting contrasted with the otherwise basic setup, highlighting the scene’s significance. Many video segments interspersed the performances, though their relevance to the theme and / or proximate scenes was not always clear. This disconnection occasionally disrupted the flow of the show.

Despite these inconsistencies, each performer managed to construct a charismatic and likable stage persona, engaging the audience and maintaining interest. The singing and dancing were solid throughout, showcasing the performers’ versatility and commitment.

Although some randomness in the sequence of events and themes occasionally left a sense of disjointedness, “Conflict of Interest” wrapped up its 75-minute runtime as an entertaining and well-performed piece.

The evening’s performances, though different in style and substance, complemented each other well. “Ten Months and a Day” offered a deeply personal look at grief and memory, while “Conflict of Interest” provided a less focused, more varied exploration of life’s many conflicts. Both pieces showcased the performers’ talents and left the audience with much to reflect on.

Overall, it was a night of engaging theatre that balanced introspection with entertainment. While there were areas for improvement, the performances’ emotional resonance and thematic depth made for a memorable and enjoyable experience.

review by Bart Gamber

*Gifted / This theatre review was written following a gifted ticket to the performance. However, all opinions and views expressed in this review are entirely that of the reviewer and the review has not been influenced in any way by the provision of the ticket. Our commitment remains to provide an honest and unbiased assessment of the experience.